In hoeverre is de orkestwereld vergelijkbaar met de bankwereld? Daniel Wolf schrijft: "Consequently, presenters tend to play safe with the orchestra, the musical institution "too big to fail," and play it safe by choosing composers with track records for playing it safe and working successfully with other orchestras (...) The chosen few composers, in turn, protect their track records by providing just enough novelty ear candy to maintain the aura of the new while fundamentally remaining in the safety zone in terms of both performance difficulty and audience receptivity." Zie hier voor de hele blog...